Play Along Piano

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Howard Bosler

Piano Study for a Beginner

Howard Bosler

3:12	Est. Play Time
73	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	0	4	4	100%
		17	4	3	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	0	4	4	100%
		17	4	3	3	100%

Andante for Piano, Double Take

Howard Bosler

5:12	Est. Play Time
63	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		35	11	19	6	100%
		34	52	16	6	98%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		35	11	19	6	100%
		34	52	16	6	98%

For Piano

Howard Bosler

5:03	Est. Play Time
107	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		35	43	17	6	99%
		33	25	14	5	93%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		35	43	17	6	99%
		33	25	14	5	93%

Semper Solus for Piano, Part 1

Howard Bosler

6:33	Est. Play Time
72	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		34	49	12	8	100%
		27	33	10	4	99%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		34	49	12	8	100%
		27	33	10	4	99%

Andante From "For Guitar and Cello"

Howard Bosler

3:07	Est. Play Time
72	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		34	63	20	7	100%
Violoncello		29	6	17	7	97%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		34	63	20	7	100%
Violoncello		29	6	17	7	97%

O Holy Night by Adolphe Charles Adam

Howard Bosler

3:10	Est. Play Time
99	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		24	40	2	7	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		24	40	2	7	100%

Piano Study-Lamentation

Howard Bosler

3:14	Est. Play Time
65	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		36	43	16	6	97%
		33	44	11	6	97%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		36	43	16	6	97%
		33	44	11	6	97%

For Guitar and Cello

Howard Bosler

5:05	Est. Play Time
100	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		35	77	18	6	100%
Violoncello		29	13	17	8	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		35	77	18	6	100%
Violoncello		29	13	17	8	100%

Trio for Flute, Viola, and Cello

Howard Bosler

3:05	Est. Play Time
69	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	23	6	6	100%
Viola	24	8	6	100%
Violoncello	17	6	6	100%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	23	6	6	100%
Viola	24	8	6	100%
Violoncello	17	6	6	100%

Solennes for String Orchestra, Part 1.

Howard Bosler

7:24	Est. Play Time
135	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin I	26	17	8	5	100%
Violin II	24	6	5	5	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin I	26	17	8	5	100%
Violin II	24	6	5	5	100%
Viola	21	2	3	5	92%
Contrabass	19	0	2	5	91%
Violoncello	18	0	2	5	91%

Invention No. 3 by JS Bach

Howard Bosler

1:03	Est. Play Time
60	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		29	1	7	5	98%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		29	1	7	5	98%

Notation

Howard Bosler

6:11	Est. Play Time
96	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		40	9	17	7	99%
		37	26	15	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		40	9	17	7	99%
		37	26	15	6	100%

Presto From "For Guitar and Cello"

Howard Bosler

4:07	Est. Play Time
106	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		34	54	12	7	100%
Violoncello		27	1	9	7	99%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		34	54	12	7	100%
Violoncello		27	1	9	7	99%

Midnight

Howard Bosler

7:53	Est. Play Time
75	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	43	16	6	100%
		38	53	18	7	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	43	16	6	100%
		38	53	18	7	100%

Study No. 6 for Classical Guitar

Howard Bosler

3:12	Est. Play Time
65	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		35	20	14	5	99%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		35	20	14	5	99%

Invention No 3 by JS Bach

Howard Bosler

1:03	Est. Play Time
60	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		29	1	7	5	98%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		29	1	7	5	98%

Larghetto for Piano

Howard Bosler

5:41	Est. Play Time
89	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	49	7	5	100%
		31	32	5	5	99%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	49	7	5	100%
		31	32	5	5	99%

Study No. 1

Howard Bosler

2:51	Est. Play Time
71	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		35	66	13	7	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		35	66	13	7	100%

String Serenade Notes for Part Three

Howard Bosler

6:08	Est. Play Time
74	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin I	32	3	11	5	98%
Violin II	29	4	16	5	94%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin I	32	3	11	5	98%
Violin II	29	4	16	5	94%
Viola	28	3	12	5	91%
Violoncello	28	3	12	5	77%